Christmases
with Frank Sinatra are Delightful, If Confusing
By
Kristin Battestella
Recently
I’ve been fortunate enough to cross two albums off my ‘Christmas Albums to Get’
list, both Old Blue Eyes himself: Christmas
Songs by Sinatra and A Jolly
Christmas from Frank Sinatra. Although
both albums have a timeless swanky and spirit enough for the Season, repeat
songs, alternate takes, and varying track times add a little head scratching to
these holiday hits.
Originally
released in 1948, this CD reissue of Christmas
Songs by Sinatra opens with a crooning White
Christmas. The listings call it and several others an ‘alternate take’, but
this tune sounds just perfectly post-war and early Sinatra mellow whatever the
recording. Those more intimate with his later swinging style might find the
pace sweeter, but the tone works magically with the winter memories and sets
the mood for the rest of the album. It
is however unusual to have the often concluding Silent Night as the second track here. The quiet carol continues
the slow and sentimental tone and almost serves as a dual lead in- the
spiritual debut to White Christmas’ secular entrance- as Christmas Songs by Sinatra is a fairly even split between the
reverent and the casual. Billed by its Latin name despite the standard O Come
All Ye Faithful lyrics, Adeste Fideles is
slightly more upbeat and lightens the crèche whilst keeping the big notes
respectful.
Jingle Bells is not as happening or juvenile as we might expect,
but its still easy breezy fun with background singers and titular sounds
jazzing it up with Frank. Sometimes this seasonal staple can get a little
obnoxious, but Frank keeps it timeless and urbane here. Have
Yourself a Merry Little Christmas is of course, perfectly quintessential
for the melancholy at this time of year- whether you are alone, far from
family, or having a quiet moment by yourself at the end of festive and frenzied
day. Unfortunately, different versions
of the brooding ballad also appear on the companion A Jolly Christmas from Frank Sinatra and the compilation Christmas with the Rat Pack, and ironically,
the confusion adds to the holiday frustrations.
Thankfully,
Christmas Dreaming (A Little Early this
Year) is a wonderfully soft and slow December ballad. Again, the slower
crooning style and lingering easy notes serve Frank and the not oft-heard tune
well. It’s perfectly holiday neutral and great for a slow dance by the fire. Christmas Songs by Sinatra smartly raises
and lowers its pace and spirituality by alternately pairing similar sounding
carols and winter pop. The overall tone sounds the same, creating an agreeable
evening listen despite the pleasant but changing subject matter. It Came Upon a Midnight Clear also adds
choir echoes and accompaniment verses as Frank takes his sweet, pleasing time
and gives this carol a lullaby feeling instead of the quick, church single
verse we usually get today- if it all. But of course, this one is another
alternate version and time changer from Christmas
with the Rat Pack and A Jolly
Christmas from Frank Sinatra and runs
almost a minute longer than those tracks.
Oh Little Town of Bethlehem is also a slow, brooding, perhaps too slow carol.
Frank keeps it stylish rather than Victorian serious and these two carols fit together
for some solid and quiet reverence. However, the pair also makes the listener
realize that there aren’t many fast tracks on the set, and that’s where the hip
and lively Santa Claus is Coming to Town
enters to shake up Christmas Songs by
Sinatra. Great cymbals and a swinging interlude transform this kid’s deterrent
into a groovy danceable. Get out your saddle shoes and toe tap before the Yule
log with these big hepcat notes! Let It
Snow! Let It Snow! Let It Snow! continues the smile on your face seasonal
swing, too. It isn’t loud and too fast to enjoy, but warm, fun, and as the
background singers say, ‘Cozy coo.’
Though
the General Reynolds Introduction always
scares my cat, these vocal carryovers of the day are perfect winter wartime
recollections. Sixty years ago, it may have been the norm to hear live
recordings and the performers talking amid the tunes, but today this simplicity
becomes a great sentimental treat. We’re listening to a radio broadcast on
Christmas Eve! Unfortunately, the subsequent Medley of Oh Little Town of Bethlehem, Joy to the World, and White
Christmas is somewhat strange. Albeit this is the quick crooning standard
edition, but we just heard Oh Little Town of Bethlehem two tracks ago. The Joy
to the World rendition is a lovely but brief and choir dominated chorus before
Frank returns with another choir-shared White Christmas quickie. It’s a
squeezed in and odd mix of religious and secular when there are so many more great
songs to do instead, and obviously, these last five tracks stem from another
session. All that aside, the medley still sounds nice, and this unusual placement
nonetheless compliments the rolling reverence and secular pattern of Christmas Songs by Sinatra.
Next,
the serious and subdued maternal ode Ave
Marie slows the album down once again. It’s great to hear Frank Sinatra sing
in Latin, complete with a rising choir and slowly building instruments. Sure,
he may not have the big pipes for the most difficult notes here, but the
respect is evident and lovely nevertheless. By contrast, Winter Wonderland adds a little bit of fun and winds down the album
with some jokes and casual seasonal swing. Again alluding to the shared
spiritual and secular of Christmas Songs
by Sinatra, The Chairman himself reminds us to take time for the Truth of
the season before The Lord’s Prayer finishes
the set in solid and lofty Catholic fashion. Another church tune perhaps
stretching Sinatra’s range, but the big notes are all his, with none of today’s
spectacular or overdone production needed to understand the meaning here.
Despite
both albums being evenly divided between carols and secular tunes, Christmas Songs by Sinatra feels
slightly more reverent and balanced than A
Jolly Christmas with Frank Sinatra. A very upbeat Jingle Bells kicks off this 1957 reissue, which has also been released
in several CD editions as The Sinatra
Christmas Album. The quick pulses and scat spelling of the eponymous track
will be as polarizing for some as chasing the assorted re-release covers and
album bonus tracks. At almost 40 seconds
shorter than traditional version on Christmas
Songs by Sinatra, the yeah yeah and hip hip festive is a bit too rowdy and
in your face. Frank sounds a little hollow, as if his recording wasn’t done in
the studio at the same time as the jazzy backup players. I get that they’re setting up the jolly of A Jolly Christmas with Frank Sinatra,
but it’s a bit too over the top. Ironically, this is also the only fast song
here.
Thankfully,
The Christmas Song is much, much
better- a lovely, airy, and sentimental vintage from seasons’ yore without all
the extra hype. Perfect. Likewise, Mistletoe and Holly, the first of
several tracks repeated on the more recent Christmas
with the Rat Pack compilation, has
that quintessential Sinatra sound. You can’t help but sing along as each
refrain comes around. I’ll be Home for
Christmas continues the on-form bittersweet, and it’s also found on the Rat Pack album, albeit with a few
seconds time difference. Alternate versions are frustrating, yes. However, sometimes
rare tracks are quite worthwhile and unique, or at the least, somewhat
understandable. But what’s the point in shaving off 3 seconds here or 5 seconds
there? Where do those missing seconds go go go?
There
are different openings for The Christmas
Waltz here and its appearance on Christmas
with the Rat Pack, but there’s simply still no denying Frank’s secular
seasonal sway here. I’ve said it before, but I’ll say it again, Have Yourself a Merry Little Christmas is
just about perfect. This rerecorded winter brood is longer than the rendition
on Christmas Songs by Sinatra by almost
a minute, with a cold start, extra choir refrains, and longer melancholy from
Frank. And just in case you couldn’t
guess, yep, this one’s on Christmas with
the Rat Pack, too!
The First Noel is the first carol in this second half of
spiritualness on A Jolly Christmas from
Frank Sinatra, and though it feels a little too slow, reverent, and out of
place in the swinging Rat Pack compilation,
this quick mellow refrain fits in here. Likewise, Hark the Herald Angels Sing felt forced and restrained in the Rat Pack mix, but together, these carols
work almost like a sing a long caroling medley. And speaking of medleys, we
were treated to two Oh Little Town of
Bethlehem renditions on Christmas
Songs by Sinatra, but this version on A
Jolly Christmas from Frank Sinatra is about a minute shorter, ixnaying on
the super slow but keeping the Biblical basics and choir accompaniment nice and
easy. Despite having the same track time, Adeste
Fideles (O Come All Ye Faithful), is not the same version as on Christmas Songs by Sinatra. It’s strange
to listen to the same song over and over again back to back for the choir
additions and vocal differences here. It’s kind of fun, but a bit crazy, and
I’m sure annoying to someone else forced to listen in the month of Twelve Days
of Christmas and Must be Santa.
It Came
Upon a Midnight Clear feels a little stilted amid Frank’s effortless and
breezy secular staples and is dominated by more choir than Sinatra, but it’s
still lovely. Like Christmas Songs by Sinatra, grouping the seasonal hits and reverent
tracks in patterns together works much better than the seemingly spliced and
random reissue of Christmas with the Rat
Pack. Some melancholy pop, a block of carols for reverence- the mix of
swing and serious stays sophisticated for today’s listener. Another shorter rerecord, Silent Night is a fitting and darling crèche lullaby to conclude A Jolly Christmas from Frank Sinatra in
a soft crescendo. With a set of
perfectly timeless downhearted hits and respectful carols, it turns out A Jolly Christmas from Frank Sinatra doesn’t
seem that jolly of an album. Instead of
all the rerecords, alternate versions, and track repeats, I’d rather have, you
know, more holiday recordings by Frank Sinatra, but that’s life- no pun
intended.
Neither
Christmas Songs by Sinatra nor A Jolly Christmas from Frank Sinatra have
the loosely holiday tune I Believe as does Christmas
with the Rat Pack. However, the edition of A Jolly Christmas from Frank Sinatra that I picked up in a two-disc
combo set with Ella Wishes You a Swinging
Christmas contains two unusual bonus tracks- not the expected reissue
single versions of White Christmas and The Christmas Waltz, no. It may seem a
little silly to have Come Fly with Me
playing in December, but having this jazzy hit randomly pop up in my Christmas
playlist is actually kind of nice. It’s a happy, mini moment to getaway from
the dark and serious, stressful and crazy Yule we make for ourselves these
days. Likewise, Let’s Get Away from it
All provides a jiffy of holiday detox and laughter, even if it’s just over
the way Frank says ‘Chowda!’ I’m usually pretty strict about listening to
Christmas music at Christmas time- after all, you can’t listen to it any other
time- but at this point, I don’t mind these two tacked on Sinatra staples at
all. I’m too busy comparing these albums
and sorting out all the Christmas confusion!
Chasing
radio edits, rerecords, and single rarities must be quite a chore for the
Chairman completist, I must say. Perhaps the album really is dead. With digital
downloads, one can pick his preferred Sinatra seasonal tunes for a holiday soundtrack,
the end. It saves you the confusion of pursuing Christmas Songs by Sinatra and A
Jolly Christmas from Frank Sinatra- though casual fans and serious
collectors can easily find either. Heck, I just put all my Sinatra Christmas
delights into one playlist and let it go- the swanky and spiritual light are
perfect for the casual office or urbane dinner party. Sure, a song or two will
repeat or sound different each time around, but so long as you don’t think too
hard on the logistics, one can delight in the Man, the Meaning, and the Music. Whew!
No comments:
Post a Comment
Thanks for visiting I Think, Therefore I Review!