Country Scares Round Up!
By
Kristin Battestella
Rednecks,
hicks, desolate locales, and backwater crazies certainly make for a bevy of horrors,
death, cannibalism, and disturbia. Enjoy the frights herein, y’all!
Creepshow – Terror titans George A. Romero (Night of the Living Dead) and Stephen King (Carrie) present this 1982 anthology featuring a spooky fun cast
including Ted Danson (Cheers), Ed
Harris (Apollo 13), Leslie Nielson (The Naked Gun), Adrienne Barbeau (Maude), and Hal Holbrook (The Senator). The expected anthology
frame blessedly remains as only opening and closing bookends with a few scary
winks, letting the animated transitions, red and blue lighting, and comic book
styled backgrounds or cell frame designs accent the scary and carry the pulp
homage. While some nods are too obviously placed or too humorous for some, the
lighthearted, almost camp and endearing at times tone is in keeping with the
creators’ nostalgic Tales from the Crypt creepy
of yore feeling. The first “Father’s Day” tale is a little short but has a now
dated kitsch and gruesomely bemusing result. “The Lonesome Death of Jordy
Verrill,” however, is kind of dead end. It’s surprising that Stephen King can
act as the stupid hick so well, but a vegetation meteor run rampant doesn’t
have that much impact – no pun intended. Fortunately, the lengthy “Something to
Tide You Over” provides pretty but deadly beachy with vengeful tides and a
quality, watery comeuppance. “The Crate” has some obnoxiously fun performances
to match its hokey, inexplicable monster, and the final “They’re Creeping Up on
You” is surely not for people who dislike bugs, namely cockroaches. Lots of
cockroaches – many, many cockroaches everywhere! Certainly this can be uneven
in scares and brevity as anthologies often are, but all in all, there’s a good,
macabre ride here.
Deranged – You’ll never look at Home Alone the
same way again after seeing Roberts Blossom in this 1974 AIP slasher! Deaths
simmer thanks to fine build ups, suspense, and pursuits – not to mention the
gross necrophilia possibilities, skin wearing, morbid transvestite extremes,
human bones about the house, and au naturel instruments adding to the macabre
ambiance. The sense of dementia, local language, warped small town unassuming,
and backwoods suggestion create an ironic old time quaint, accented by bent
organ music and askew religious views. Corny narrator Leslie Carlson (Black Christmas) appears in early scenes
as an onscreen reporter recounting the Ed Gein true story genesis, but the
fourth wall breaks smartly disappear as the second half escalates. Brief nudity
and lingerie work with the appropriately dark humor as well while over the top
quips, chubby women, fake séances, and bungling sex innuendo match the sinister
planning and delicate but twisted craftsmanship. The acting and cast may not be
in everyone’s style today, yet the performances fit the material and tone
perfectly. Thanks to the sense of past isolation for contemporary audiences,
the very effective mood, atmosphere, and disturbia here has aged fairly well,
making this one a must see study for horror fans or criminal and psychology
scholars in comparison to other Gein inspired pictures.
Motel
Hell – You just know what the secret ingredient is in
this 1980 country cannibal thriller! Ironic use of hillbilly music and
television evangelist Wolfman Jack contribute to the charming and quaint but
disturbed feeling here – the mix of late seventies styles and early farmhouse
contentment doesn’t seem dated at all. Hanging pigs and slaughterhouse gore
aren’t too over the top, but enough bloody suggestion and touches of nudity and
kinky accent the dark humor and bizarre yet sentimental familial relationships.
Rory Calhoun (How to Marry a Millionaire)
has some sick and disturbing fun here yet remains strangely endearing, heck,
even likeable. Vincent Smith’s reducing the riff raff population and keeping
the community fed – it all seems like a real win win, and the winking tone
pokes fun at this irony without being laugh out loud. The audience can chuckle
at the soothing New Age eight track music amid the escalating events and
interfering romance. Who’s next? When will the good guys find out? The pig mask
and chainsaw duel in the finale are stupid and not scary now, hampering the
otherwise bemusing wit and multi layered action. However, all in all this is
some down home simmering and well done entertainment.
Skip It!
Trip
with the Teacher – A faded
picture, bad seventies styles, bug eye goggles, and tacky music are the least
of this 1975 short bus desert escapade gone awry’s problems. The biker badass
never comes thanks to brothers just playing at punks and terrorizing women
while other characters remain stupid via poor scripting and acting. The rape
revenge terror nasty has been done better elsewhere, and the time here
aimlessly escalates the violence as it somehow also remains too tame – PG-13
brief nudity and the inability to say dirty words despite such heavy subject
matter. We never find out why the perpetrators have such a ‘tude; the teen girls
look way too old to not suspect what these jerks want to do to them and thus
they remain reactive instead of forward thinking. The skimpy hot pants and
catfights may be enough for some viewers along with the innate lecherous and
natural isolation, but nothing is done with either. Some bike chases up the
ante, but unclear motivations hamper any endearment for the victim or fear of
the villain. Are we supposed to care about the bad guy’s malfunction? Sexual
violence suggestions should be scary enough, but such implications feel cheap
and the revenge empowerment nonexistent – four women can’t subdue one unarmed
drunk guy? Everybody watches but no one does anything until a heroic man
arrives? Even the end credits have scenes of each player with the women receiving
credit over their most degrading shots while the guys have cool smiling stills.
Wtf? The possibilities for silent, sinister isolation are lost in weird, artsy,
and time wasting clichés here. Yes, walk passed that fully functioning
motorcycle as you run into the desert for help!
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