A
Double Helping with Tennessee Ernie Ford’s Christmas Special
By
Kristin Battestella
I
love the confusion of Christmas records, I really do. ‘Pon my soul, it turns
out A Tennessee Ernie Ford Christmas
Special is a reissue of not one, but two previous Ernie Yule albums: Sing We Now of Christmas and O Come All Ye Faithful. This double
delight provides a family friendly Christmas listen, and puts an Amen to it.
First
released in 1965, Sing We Now of
Christmas stands as Record 1 for A
Tennessee Ernie Ford Christmas Special, and the titular Sing We Now of Christmas opens with a
satisfying Old World sound to set the album’s tone. It’s traditional, but not so out of touch and
with a special Middle Eastern rhythm. I like it- somber, but not so
old-fashioned baritone deep that it can’t be enjoy today. This church casual
preparation and fun continues with O
Christmas Tree. This one’s very easy to sing along to indeed. So often any
more we get just a rushed refrain, but Ernie gives us time to enjoy all the
verses here. His bass tone is simply perfect for The Little Drummer Boy, too. It’s a sweet, but somber male ode for
young and old and just excellent in simplicity and style. There isn’t a lot of
orchestration, nor is it needed for this quiet reverence and humility.
Sing We Now of Christmas’ Side B, i.e. Record 1 Side 2 of A Tennessee Ernie Ford Christmas Special remember, begins with a
wonderfully paced Good King Wenceslas.
Rather than quick beats and lots of fast bells or vocals, the accenting choir
and arrangement here is so pleasant. I feel like I’ve been using the word
“pleasant” to describe a lot of these old-fashioned Christmas records, but the
timeless tunes are indeed easy on the ear in comparison to the generic holiday
noise of today. Thanks to Ernie’s soft
storytelling style, I feel as though I might have actually heard and understood
these lyrics! So often, this one becomes one of those “songs you kind of know
the words to” but not here. The Virgin’s
Slumber Song’s lyrics, however, may really be unfamiliar as this charming
little lullaby never quite caught on. I don’t know why; the tone is quite
peaceable and touching, and this is actually a very beautiful little tune.
Ernie takes the time to appreciate every note and so should we.
Although
light hearted and filled with family friendly holiday faire, Twelve Days of Christmas is actually one
of the few secular seasonals on Sing We
Now of Christmas. Fortunately, the pleasant arrangements and easy rendition
style carry over to this increasingly wacky, commercial carol. Ernie’s low
sound alternates with the casual choir, and nobody gets out of breath as the
cumulative chorus mounts in unexpected ways. No Japanese Transistor Radios
here! What Child is This returns to
the somber with just a bit more formality, but there is still a zesty medieval
choir and courtly sway at work. Instead
of being old and stuffy, there’s a youthful pace and kingly style that
shouldn’t be so surprising considering this is the Birth of Christ, after all.
Ernie also shakes up the arrangement of Away
in the Manger to close Sing We Now of
Christmas. It’s a good place to
conclude. We had the festive and fun, and now the family can tuck in with the
spoken, prayer-like lyrics here. Amen indeed.
Now
that A Tennessee Ernie Ford Christmas
Special is finished with the 1965 Sing
We Now of Christmas sharing, Record 2 serves up the 1968 O Come All Ye Faithful album from
Ernie’s holiday repertoire. Once again, the eponymous starter O Come All Ye Faithful sets the country
church mood with big choir notes and full verses. Where Sing We Now of Christmas had some Meaning of the Season and a
traditional holiday friendly working together for an overall enjoyable listen
across the spectrum, this session is almost all down and reverent carols. Little Boy King may be less well known,
but it’s a wonderfully innocent little story. This seems like what would be the
Children’s Church segment of the hour, but there is a mature simplicity at hand,
too. Love, brotherhood, peace on earth, goodwill, joy, freedom-these shouldn’t be
estranged subjects to us, especially at Christmas.
The Wassail Song rings in this final leg of A Tennesse Ernie Ford Christmas Special with the more familiar
seasonal singable. It’s rousing in a different way. Where the obscure carols
are all Christ’s meaning, this is happy. We do have reason to be happy come
December, oh yes. The Friendly Beasts gives
us more of the crèche story in a lovely little anthropomorphic tale- another
amazing lesser-heard ode that says so much in its small way. He is Born, The Holy Child also forgoes
the flair as Ernie sans music recounts the whole dang reason we are
celebrating. The savior is born, say it merrily- what else is there?
Tennessee and his choir have a different pace with While Shepherds Watched Their Flocks but
this quick refrain still works. Some today might perceive O Come All Ye Faithful as a bit dry, granted. How many birth carols
can one have in row anyway before things get redundant? Fortunately or
unfortunately, the tracks here are once again too quick. After so many less
common great church going tunes, it is a bit unusual to end such a deeply
spiritual album with so secular a staple as White Christmas, but it sounds perfect, with Ernie’s booming notes
and Christmas blessing matching the old-fashioned cold we associate with mid
century snows. Thanks to all these recordings from Sing We Now of Christmas and O
Come All Ye Faithful, baritone listeners can choose which Ernie they want-
seasonably safe and festive or soulful and obscure meaning. Not many today can
do both- either vocally or commercially- but Tennessee Ernie Ford pulled it
off- that’s why they combined both albums for A Tennessee Ernie Ford Christmas Special!
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