Showing posts with label The Exorcist. Show all posts
Showing posts with label The Exorcist. Show all posts

13 May 2026

Reassessing Repossessed

 

Reassessing Repossessed 

by Kristin Battestella


The Exorcist star Linda Blair is all grown up and, according to our theme song, “re-re-repossessed” in the 1990 head-spinning, pea soup spewing, oft-maligned spoof Repossessed. Priest Leslie Nielsen (Dracula: Dead and Loving It) is on the devilish case, escalating to the Pope saving souls on live television and an infamously low 11% Rotten Tomatoes score – if viewers remember Repossessed at all. With today's cult-like administration practices, however, it's time to reassess how the religious and political satire of the much derided Repossessed may have actually been ahead of its time.


As a kid, Repossessed was one of my VHS staples. 1990 was still very eighties and Reagan-esque, so anything scandalous with tawdry nudity was treasured. When the bimbo in the front row at Father Leslie's lecture is showing too much leg, he asks her to pull down her dress. She of course responses by pulling the top down and letting the bazongas free. Re-watching Repossessed now, there were many more anticipated punchlines and rim shots that still made me laugh – much to the chagrin of my never-seen-it-before husband who was both annoyed at my predictions and didn't find any of it all that funny. Such datedness is indeed much of the problem with Repossessed. Like new viewers who won't understand the Glenn Miller jokes on The Golden Girls, Repossessed is so overly reliant on eighties scandals, headlines, and pop culture moments that you really had to be there to get it. You may think that makes Repossessed bad now, but just think how all today's quip a minute movies will be undiscernible in forty years!




Demure, yuppie housewife Blair (Witchery) who's supposed to have the ideal conservative life is once again possessed by the devil, who discovers that exorcisms on television are the gateway to spreading demons to leaders across the globe thanks to America's sanctimonious floundering over the likes of Jerry Falwell and Jessica Hahn. Telethon cameos from Body by Jake, Jesse Ventura, and more people modern viewers probably won't recognize anchor music montages to “Devil with the Blue Dress On” but, do folks today even know that song? Yes, it's busy and messy, descending into mixed meta, slow chases, and the Pope on guitar. Repossessed does not always succeed in its larger satire comedy thanks to a muddled, stupid finale designed for the MTV generation. Had Repossessed had a more finely tuned script or edit then, maybe it wouldn't have flopped into obscurity. The “Father Mayii” name in itself is hysterically genius to every twelve year old.


Anthony Starke (The Magnificent Seven) is also here as Nielsen's priestly sidekick, and for a time, to me as a precocious kid anyway, it seemed that he'd cornered the market on satirical genre fare thanks to the likewise shrewd Return of the Killer Tomatoes. Blair and Nielsen also seem to be having a great time with the self-referential performances, confronting Blair's horror typecasting while Nielsen lampoons it – like when our priest is caught on camera calling his agent asking how to get out of this. For all the nostalgic eighties floral prints, bright colors, and big hair; Repossessed actually looks good when it comes to the expected Exorcist effects, making one wonder what might have happened if the story was told straight. However, to be so chilling was not Repossessed's intent. Unfortunately, viewing Repossessed again under the orange cloud that is Trump brings the film disturbingly full circle. The devil shall enter in via the perfect housewife! How can he spread evil to the masses? Television!


When Repossessed originally bombed at the box office in the Fall of 1990, Trump was already a well-known, notorious businessman with his Art of the Deal ghostwritten fakery – as parodied in much better in Back to the Future Part II. It wasn't until the 2004 reality show The Apprentice that Trump was re-imagined as savvy cool wealthy business leader who could fire at will. Television had made the now seemingly downright demure scandals of the eighties mocked in Repossessed, and the reality show era likewise capitalized on creating scripted shock value. Now, the daily absurdities and constantly escalating extremes of our current regime make Repossessed perhaps seem even weaker because it doesn't go far enough. We were too innocent then to think you could pretend to be Jesus and piss off the Pope and just get away with it. Our husband and son just want their possessed mom back sans the demonic drama and split pea soup. American families currently suffering the increasing sociopolitical consequences can certainly relate to the desire for normalcy. Devil with a blue dress blue dress blue dress devilwithabluedresson...we impeached a president for lying about a stain on a blue dress but now we let them tear down the East Wing and hawk edited Bibles with Trump's gold seal of approval. Make it make sense!


Even if you don't get all the pop culture puns or televangelist taboos and thus some of the jokes fall flat, there's a lot of Repossessed that's eerily all too familiar thanks to the contemporary political climate. Don't dismiss the comedy performances and social commentary just based on that Rotten Tomato score. Reassess Repossessed and heed the horror comedy parable.


22 October 2024

Revisionist Almanac Let's Get Spooky Podcast Collab!

 

It was such a pleasure being asked by @AndrewCorns13 to take part in The Revisionist Almanac Podcast's Let's Get Spooky Project! My thoughts on my favorite horror films and a few more intriguing scary movie questions are included alongside several other podcasters. Listen now @RevAlmanac!



Also stay tuned for more 2025 spots at The Revisionist Almanac! You can keep track of my audio/visual guest appearances with our Podcast and Video labels and browse previous collabs:


Women InSession Podcast

Bedtime Stories Guest Podcast

House of Dark Shadows Guest Podcast



17 September 2024

My DVD Snapcase Collection! 📀

 

Infamous for not alphabetizing her physical media collection, Kristin Battestella shares her budding DVD Snapcase collection – from early video release memories and classic films to horror movies and sentimental favorites.



Thank you for watching!


Follow @ThereforeReview on Twitter or read our reviews at InSessionFilm! You can also hear more with the Women InSession Podcast and follow our television retrospectives at Keith Loves Movies


Peruse our Therefore Review Vidoe Critiques Playlist or follow our Podcast and Video labels for forthcoming media appearances! 


Read more: 

The Exorcist

Blade Runner  

L.A.Confidential 

Soldier 

The Searchers 


17 November 2007

The Exoricist

The Exorcist Still Terrifying Today
By Kristin Battestella

I was born in 1981, so I missed the initial fear fest brought on by the 1973 thriller The Exorcist. Based on the novel by William Peter Blatty, film going audiences were terrorized in their seats, vomiting in the aisles, and fainting before the theater screens. Since then, The Exorcist has frightened a whole new generation-and then some.

The Exorcist stars Linda Blair as young Regan, a 13 year old girl who begins to act strangely after her and her actress mother Chris (Ellen Burstyn) move to Washington DC for a film shoot. Psychiatrists, other doctors, and specialists have no answer for Regan’s unrest. Freaky accidents, violence, and more disturbing behavior from Regan lead Chris to Father Damien Karras (Jason Miller). Even the troubled Priest is baffled by Regan’s ability to speak in ancient languages; the physical abuse on her body-including etchings from the inside of her stomach that says ‘Help me’; and of course the infamous, horrifying, and despicable masturbation with a crucifix.

Father Damien Brings in Father Lankester Merrin (Max Von Sydow), an elderly Priest who has fought this kind of evil before. Two prequels were even made detailing Merrin’s first encounter with the devil, but both miss the mark and cannot compare to the ultimate battle here. The Priests tie Regan to the bed and begin the Rites of Exorcism. Before the devil is contained, however, he pulls out all the stops, including taunting Father Damien With his dead mother’s words and the now oft parodied projectile vomit.

Despite our society’s desensitization, The Exorcist remains one of the most disturbing films ever made. I was a teenager when I saw the re-released edition with the additional footage. It was the middle of the day and clear as a bell outside, yet I was spooked for weeks afterward. The extra scenes on the DVD ‘The Version You’ve Never Seen’ include a creepy spiderwalk and more scenes of Father Merrin in Africa. Even after the numerous parodies and spoofs, the initial experience of viewing The Exorcist is tough to beat. After 4 sequels and prequels, several video releases and re-releases, how is it The Exorcist still scares the split pea soup out of us? The effects are cool, but nothing spectacular. The chills presented by director William Friedkin come from the psychological and sociological themes shown.

Many of the early audiences had never heard foul language in a wide release, much less F-bombs from a 13 year old girl. Both the religious and demonic imagery presented are unique and frightening. Shocking as it is to see such blasphemous uses of Christian symbols, Friedkin showcases the devil as a living breathing evil force. This is both engrossing and terrifying. The Exorcist is enough to scare anyone straight from their malignant ways. Here a young, innocent little girl was possessed. Imagine the torment the devil could bring to those who deserve it. Exceptional makeup and an impressive performance from Blair solidify the movie’s insistence that the devil is real.

This is how horror films should be. Realistic in the scarys they portray-no matter how fantastic. If art imitates life, then The Exorcist is a photographic reminder of good versus evil and how careful we should be in our temptations. None of The Exorcist films are suitable for children, and I only recommend viewing for the most mature teens, otherwise the between the lines material is lost. The latest DVD release of The Exorcist has a few extras, but the film speaks for itself.


Some of the sequels are worthy interpretations, especially The Exorcist III, based on Blatty’s own book sequel, Legion. If you’re seeking one of the best films ever made-not just thee most exceptional horror movie-The Exorcist is unbeatable.