Classic
Rock Documentaries!
By
Kristin Battestella
Are
you displeased with modern tunes? Then let's relive the sounds of
decades yore with these classic groups and music heavyweights!
Classic
Albums: Fleetwood Mac – Rumours –
This 1997 hour from the Eagle Rock and VH1 series focuses on the
behind the scenes turmoil, relationships, and technicalities
invigorating Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and
John and Christine McVie in making the famed 1977 Rumours
album – the second from
the group’s revitalized incarnation. The genesis and creation of
hits such as “Go Your Own Way,” “Dreams,” “Gold Dust
Woman,” “Don’t Stop,” and more are dissected from the initial
writing to changes in the recording sessions and album finalization.
While the before and after samplings of the tunes and the
conversations on the ups and downs are interesting, the tone
sometimes wavers between being overly tender or laid on heavy in some
spots. Perhaps the band members aren’t exactly orators in
discussing their musical thought processes either, and their accents
may confuse some viewers, too. However, classic rock fans will enjoy
the nostalgic behind the scenes, and music students interested in the
mechanical aspects or songwriters relating to the emotional
translations involved can definitely learn plenty here. This is a
fun, informative, introduction to the saga that is Fleetwood Mac, and
perhaps most importantly, it gives you an itch for a complete Rumours
listen.
Fleetwood
Mac: The Dance –
After a hiatus, Christine McVie returned to the lineup for this 1997
concert video chock full with “The Chain,” “Dreams,” “Gold
Dust Woman,” “Gypsy,” “Rhiannon,” “Don’t Stop,” “Go
Your Own Way,” and many more. It’s nice to hear lesser-performed
compositions – those that depend on McVie’s appearance such as
“Everywhere,” “You Make Lovin’ Fun,” and “Over My Head”
as well as then-newer tunes like “Temporary One” and “Bleed to
Love Her.” Stevie Nicks sounds slightly different of course, but
McVie sounds the same, everyone looks good, and its great to hear the
entire incarnation together with a fun moment for John McVie on “Say
You Love Me.” The subtitles are also helpful with the sometimes
cryptic, poet lyrics, and Nicks, McVie, and Lindsey Buckingham give
some information on several songs. Though well edited, entertaining,
and swiftly filmed, this concert isn’t a big spectacle production
like more recent shows. Technical music audiences may even find this
under produced despite the subdued nineties norm and intimate, small
session feeling – which is as it should be with essentials like
“Landslide” and the intense “Silver Springs.” However,
Buckingham provides the rock outs and guitar genius with “I’m So
Afraid,” “Big Love,” “Go Insane,” and “My Little Demon,”
and Mick Fleetwood makes his usual crazy extreme drumming faces, too.
Granted, this 90-minute performance has some confused vision – is
this a comeback tour of past hits or a new release of special
material with some classics for good measure? The companion CD has a
different track listing and I could do without the USC Marching Band
finale, but “Songbird” is a lovely coda for the piece. Fans of
the band can certainly delight, and younger audiences newly
discovering Fleetwood Mac can take the next step with this complete
lineup and unique performance.
Freddie
Mercury: The Great Pretender – This full-length 2012
retrospective focuses on the lead singer of Queen and his more
unusual successes, missteps, and solo projects apart from rock
groupdom including early ballet concerts, musical performances, and
operatic tours in his final years. From the decadence of the
seventies club scene, career heights, and questionable associates to
frank discussion on criticism of Mercury, his generally closeted
media approach, and reaction to his untimely AIDS related death; new
interviews from friends, fellow musicians, and industry alums help
paint an intriguing picture. Rare archive footage, music videos, and
interview segments both shed light on Mercury’s shyness regarding
his private life and contribute to the alluring dichotomy of his
flamboyant stage persona. It’s interesting to hear his own thoughts
on living it up in comparison to his admitted difficulty in trusting
people or talking with others, “The more I open up, the more I get
hurt.” How could Freddie Mercury think he was boring and be
terrified of being alone? The accents may be tough to understand for
some, but live renditions of songs such as “Bohemian Rhapsody,”
“Somebody to Love,” and “Barcelona” are simply delightful
along with unreleased demos; home recordings; samples featuring
Michael Jackson, Luciano Pavarotti, and Montserrat Caballe; and more
lesser seen or heard solo compositions from Mercury’s Mr. Bad
Guy album. Longtime rock fans or budding Queen enthusiasts
seeking an astute peek at Mercury’s musical legacy will love this.
In
Dreams: The Roy
Orbison Story – Take
a lesson 21st
century whippersnappers! I’ve finally been able to see this
complete hour and a half 1999 special focusing on the man to whom
even The Bee Gees, Bono, and Bruce Springsteen bow. It’s simply
glorious to see vintage footage and interviews and hear the late too
soon Orbison speak of early Sun Records anecdotes, his childhood
musical inspirations, devastating family tragedies, and his final
resurgent success. And let’s not forget all those awesome,
quintessential tunes such as “Pretty Woman,” “Only the Lonely”,
“Running Scared,” my favorite “Crying,” and more concert
scenery amid conversations with contemporaries like Johnny Cash,
George Harrison, Chet Atkins, Tom Petty, and next generation stars
like Elvis Costello and Chris Isaak. If one wants to learn how music
should sound, one must
digest as much Orbison as possible. It’s that simple, and this set
is a great place to begin. I could go on and on and on – some of
the first CDs I ever had were Orbison albums – but I’ll stop now.
I mean, Barry Gibb calls Orbison “The Voice of God.” Yeah, that
about says it.
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