Forties
Frights Dun Dun Dun!
By
Kristin Battestella
In
the 1940s, it seems as though the mystery, suspense, thriller, and horror
genres were often mixed and intermingled. Though this may feel like a big
mistake, the list here is but a small sample of forties frights, noir, stars,
and monsters working in tandem to create some fun and memorably eerie pictures.
The
Amazing Mr. X – Stylized noir
photography, lighting and shadow trickery, and silver nighttime beaches add
mood to this black and white 80-minute supernatural mystery from 1948. We know
something spooky is afoot thanks to dangerous waves and eerie cries from beyond
the grave! Though similar in vein to Laura, Rebecca, and even The Ghost and Mrs. Muir, the M.O. here
isn’t obvious. There’s an interesting little case at hand. What’s supernatural?
Is it a swindle or isn’t it? It’s not
really scary, but the late Turhan Bey’s (Arabian
Nights) medium techniques are both creepy and corny fun. At one point, I swear he’s trying a Vulcan
mind meld! Lynn Bari (Shock) and Cathy O’Donnell (Best Years of Our Lives) also look good
and do just dynamite even though the screaming is typical of the time. It’s a little tough to see in some scenes
thanks to the poor video quality, but the steady pace keeps things from
becoming too formulaic. The literal smoke, mirrors, and crystal balls may be
dated or hokey, but the deceit is still effective and worth the watch. And that skull door knocker- want!
Dead
Men Walk – This 1943 hour can
come off as an old, cheap, slightly unpolished Dracula retread with photography that’s too dark and some confusing
plot points. How can killing someone who’s merely involved in the Dark Arts
resurrect him as a vampire? There’s a touch of preachy righteous and occult
debates, too, and some of the premise feels more bemusing than scary. Quibbles
aside, there’s a nice good versus evil twin spin here. Dwight Frye (Dracula) is always crazy fun, and the spooky duality moves quickly
with plenty of music and candles for atmosphere. The effects are decent, and
the then-contemporary pre-war fashions and décor add a period zest. Bigger name
players might have balanced out the secondary wooden folks, but George Zucco (The Mummy’s Tomb) is worth a viewing in
this fun little vampire show.
House
of Dracula – John Carradine (The Grapes of Wrath) and Lon Chaney Jr.
(Of Mice and Men) lead this 1945
Universal sequel spectacle combining the eponymous Count, The Wolfman, a hint
of monster romance, and plenty of science gone awry. Yes, there are inconsistencies with prior
installments from Universal’s monster series-namely its predecessor House of Frankenstein- but this mini
monster soap opera is still entertaining. The fun bat on a string effects and
mad scientist laboratory sets don’t look bad, either. Lovely would be undead nurse Martha O’Driscoll
(Reap the Wild Wind) is all in shiny
soft glow white, but Jane Adams (The
Adventures of Batman and Robin) is quite interesting as a female hunchback assistant,
too. Supposedly killed time and again in previous films, Chaney is tragic and
tormented as Lawrence Talbot and Carradine clearly has a bloodsucking good time
as Dracula. The story is a little disjointed in introducing the monsters and sometimes
confusing in how all the plots fit together, and Onslow Stevens’ (The Three Musketeers) science is just a tad implausible. However, lovely mood
music, candlelight, and a Frankenstein’s Monster montage do the trick along
with the expected murder, mayhem, and angry mobs.
King
of the Zombies – Well, unlike
the often ignorant portrayals of early film, Mantan Moreland (Charlie Chan in the Secret Service) is
actually a show stealing funny man in this 1941 undead romp. His Jeff doesn’t speak in the stereotypical
subservient tone; He’s not a servant there for one’s bemusement, but rather a
working man who defuses the scares with humor. There is a difference indeed. In
addition to interesting plane footage, with a creepy crash into a foreign
country and shades of voodoo, more suspense and pleasing layers are added when
no one believes Jeff’s supernatural encounters. Though the ‘lingo’ is very
dated and the effects of the hour insignificant, great candles, shadows, solid Oscar
nominated music, and a gothic Old World
feeling add to the unusual mix of pseudo wartime spies, scares, and humor. This
isn’t meant to be serious- Druids and veiled Nazis in with Voodoo? Espionage,
suspicions, and speculation mixed with hypnosis on the eve of World War II? The
picture needs a major restoration, and some of the sneaking around can be a little
confusing- yet it’s all somehow credible and spooky. The neat, on the nose proto-war aspects and
amusing scares make this one worth the study.
The
Monster Maker – Lovely piano
concertos set up the gothic mood, eponymous twisted science, and good old-fashioned
lovelorn obsession in this hour-long 1944 science fiction horror tale starring
a juicy J. Carrol Naish (Beau Geste)
and Ralph Morgan (Magnificent Obsession)
as his forcibly misshapen and sympathetic victim. The then-contemporary designs and cool
science lab are also a treat- except for the ape, of course. Why must there
always be a man in a monkey suit in these old capers? A few scenes do drag or
feel slow and long despite the short length, and the formula plays a little
obvious at times. However, the fun, over the top style works. Women scream, get
manhandled, and blackmail. It’s of its time, but entertaining nonetheless.
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