Celtic Woman: Home for Christmas Festive Despite A Few Hiccups
by
Kristin Battestella
The
2012 holiday follow up Home for Christmas CD and DVD set from
international group Celtic Woman isn't the ensemble's best Christmas
fare. However, the songful revelry is nonetheless befitting of the
season thanks to pleasing carols and festive fiddles.
I'll
Be Home For Christmas is not the best place to start Home for
Christmas, either, as
newer band member Lisa Lambe provides a generic opener not as
recognizable with that distinctive Celtic Woman sound. It makes a
long time fan immediately miss the departed Lisa Kelly, and I always
say Lisa Lambe in full to avoid confusing myself. Hark The Herald
Angels Sing is the longest
track at five minutes, and original Celtic Woman stars Chloë
Agnew, Méav Ní Mhaolchatha, and fiddler Máiréad Nesbitt make this
often upbeat carol a showstopper with rousing choir embellishments. I
would think Chloë and Máiréad would do something more mature than
the too cutesy and juvenile no matter how you jazz it up Santa
Claus Is Coming To Town, but
Silent Night and the returned Méav carry the right
reverent, mellow, and sweeping angelic notes. Likewise, the ye olde
spirit continues with the choir, orchestration, and harmonies in We
Three Kings. We Wish
You a Merry Christmas makes for an odd middle ode on Home for
Christmas –
one might expect to hear such well wishing nearer the
finale instead of interrupting the carols for some pudding and sassy.
Fortunately,
Méav and Máiréad, bring the heartstrings and octaves for the What
Child Is This pre-Elizabethan flavor while Chloë adds more
medieval revelry with an Adeste Fideles done in full on proper
Latin sentiment. Winter Wonderland is
again a bit out of place with some jazzy lines and alternating cues
so each singer has her moment, and honestly, I would rather have had
just Máiréad going all out with the toe tapping medley. The
harmonies on Mary's Boy Child are nicer with charming
verses and a pleasing chorus taking the tune up a notch, but Lisa
Lambe's Auld Lang Syne is a
weak denouement. During Celtic Woman's original 2004-2007 line
up, even if you didn't know the ladies apart in look when you watched
the PBS specials, you could identify each singer's voice on an album
when you heard it. Lambe sounds like a stock studio singer, and
Celtic Woman's increasing revolving door membership is unfortunately
leading to a much more common assembly line sound. Today, you buy an
album or tune in for a concert, and you never know what girls you're
going to get. Although Joy to the World is a perhaps unusual
conclusion, this is a nonetheless merry mix of solos and traditional
choir rousing for an all out celebratory finale.
Despite
the hiccups, I like listening to Home for Christmas as
a CD, however, the
companion Home for Christmas DVD
concert included with the set isn't always an hour I enjoy. There's
no Chloë. How is it Celtic Woman without Chloë? Producer and
director David Downes is always nice to see, but with new member
Susan McFadden filling in for the tour, Celtic
Woman doesn't seem the same. McFadden and Lisa Lambe just seem
interchangeable and indistinguishable to me, and neither actress
seems capable of being a glass breaking diva like their predecessors.
An ominous orchestral start on Winter Wonderland leads off the
concert's different track order, but Susan is too pop sounding
alongside Méav, Lisa Lambe, and Máiréad. It's also odd that the
ladies are holding regular microphones instead of wearing the smaller
ear pieces often used today. It's a simple thing, but seeing the
mechanics so to speak takes a bit away from the group's previous arms
free, flowing ethereal style, and this rendition is a soft, cutesy
start compared to the sweeping opening numbers of previous Celtic
Woman concerts. Thankfully, the white gowns, silver sparkling
accents, and glittering red wardrobe change are fittingly festive for
this Home for Christmas concert subtitled Live from Dublin,
and Méav and Máiréad
are much stronger for the stirring strings and What Child Is This
somber for the season – where the vocals are allowed to hold
all the spiritual notes.
The four
person line up of only Susan, Méav, and Lisa Lambe singing with
Máiréad's instrumentals, unfortunately, isn't as solid as the
previous five person powerhouse, and the rock out harmonies on We
Wish You a Merry Christmas feel off, again as does Lisa Lambe's
I'll Be Home For Christmas.
Maybe a pop arrangement instead
of slow melancholy notes is okay, but this generic hip music machine
churning out basic sounds that can be heard anywhere design seems
contradictory to when Celtic Woman once brought unique international
orchestration to the masses. I honestly don't think some of the new
ladies can hit the high notes and thus all the production numbers
from Live in Dublin are
toned down accordingly. Poor Méav is stuck between the newbies for
Hark The Herald Angels Sing,
and while not as bombastic as
the album recording, the straightforward backing choir makes for a
pretty, rousing rendition. Meanwhile, instead of her own solo apart
from covering Chloë's album track, Susan goes into the crowd for an
awkward Santa Claus Is Coming To Town. Fortunately, the
lower harmonies on We Three Kings are better – not to
mention bagpipes, people, bagpipes – and in a welcome addition to
the concert not on the CD, Máiréad does it again with Carol of
the Bells. Why is she the one
never going solo to make an album of weeping and rousing fiddlelry?
Home
for Christmas' three
singing ladies also speak briefly before the concert exclusive O
Tannenbaum, and the
variety of German, Italian, and English verses invokes more of the
expected Celtic Woman mood. Likewise, Méav is again stirring
for Silent Night as a
woman standing still with nothing but the power of her voice to tell
the creche miracle. Thank you! Strangely breaking up the largely
carol focused night with kitschy fake falling snow, It's
Beginning To Look A Lot Like Christmas probably should have
started the concert, but I'd love to hear more of the slightly
obscure and much more seasonably Celtic The Light of
Christmas Morn.
Susan also gets her own Live from Dublin solo
for It Came Upon A Midnight Clear,
and this gospel rendition with a wonderful choir is much nicer than
Lisa Lambe's Auld Lang Syne. The poor concert goers are
trying to sing along with the almost now unrecognizable tune!
Thankfully, the Joy To The World finale is appropriately
festive, and what's this? The Home for Christmas DVD
bonus content includes another twelve plus minutes featuring
all four ladies dressed casually and going a cappella – well,
except Máiréad, hehe – around Downes and his piano. Holiday
memories are shared, and Lisa Lambe is much stronger for Away in A
Manger. Why wasn't this on the
album? Susan is also delightful for The Christmas Song,
but dang they could have done the entire concert with this relaxed,
intimate atmosphere. Released as a bonus track on the Home
for Christmas Special
Edition, Méav's In the Bleak Midwinter gets
everyone choked up, and last but most definitely not least, Máiréad
joins in for Have Yourself A Merry Little Christmas.
Golly gee, this set is better than the concert itself!
Celtic
Woman die hard collectors can chase several additional tracks and
international releases for Home for Christmas alongside
the rehashed Silent Night and
O Christmas Tree compilations,
however the big numbers or the sit back and be awed vocals found in
Celtic Woman's earlier line ups or the prior A Christmas
Celebration album feel absent
here. Despite having a majority of religious carols, the tone
is a much smaller, more palatable easy forty five minute session. If
you don't compare and accept the sweet seasonal mood here, Home for Christmas is a pleasing
listen that does what it says in invoking a soft holiday atmosphere.
The familiar carols make the CD a quick December staple to pick and
choose for your playlist, and when not nitpicking at the included
concert DVD, the video works in occupying the television for a
festive background accompaniment to your holiday party, Christmas
baking, or tree trimming.
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